Ray Sawyer R.I.P



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The man everyone thought was the Dr. in Dr. Hook and the Medicine Show has died. He wasn’t the lead singer on most of their famous songs. I loved the band.
They just seemed to have such a good time. Eventually, their songs got too saccharine. Mostly because they ran out of Shel Silverstein song. All the obituary talk has been about “The Cover of the Rolling Stone”, but other songs like “Queen of the Silver Dollar” and their huge early hit, “Syliva’s Mother” were perhaps better. Saw a great show at the Hammersmith Odean during the A Little Bit More tour .



The article:

Doctor Hook: This Is Your Life and Your Cover
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Poverty – An American Shame


As AI and other developments lead us to talk about what happens when work disappears, another debate that predates this one, is the continuing high levels of poverty in the country–a higher poverty rate than Latvia, Greece, Poland and all other members of the OECD according ot Matthew Desmond’s article in the New York Times magazine of September 16, 2018.

Desmond writes:

“Here is the blueprint.

“valorize work as the ticket out of poverty”

“debase caregiving as not work”

“Force the poor to log more hours in a labor market that treats them as expendables.”

“Skirt responsibility by blaming the safety net itself.

“Politicians will invent new ways of denying families relief, like slapping unrealistic work requirements on aid for the poor.”

Democrats may scoff at Republicans’ work requirements, but they have yet to challenge the dominant conception of poverty that feeds such meanspirited politics. Instead of offering a counternarrative to America’s moral trope of deservedness, liberals have generally submitted to it, perhaps even embraced it, figuring that the public will not support aid that doesn’t demand that the poor subject themselves to the low-paying jobs now available to them.

There’s more…read the whole article…it’s time to change the narrative and take action.Share This:


In Praise of Karel Capek


From the New York Times August 17, 2018

Two things keep Karel Capek’s “War With the Newts” from getting the recognition it deserves: its cover and its title. The best translation’s cover design, black text on teal, has all the panache of a dishwasher manual. And the title evokes spacesuit-clad heroes racing around cheap sets, firing laser guns at unscary animatronic lizards.

Forget all that.


Here’s a brief guide to the newt-free portions of Capek’s oeuvre.

‘The Gardener’s Year’

When he wasn’t dreaming up sci-fi dystopias, Capek was in the garden. This cheerful, exasperated journal is fun even for readers who don’t know a daisy from a dahlia.


Capek’s most popular work while he was alive (it’s where the word “robot” first appears), today it reads mostly like a rough draft of “War With the Newts.”

A trilogy of philosophical novels in which Capek dabbles in detective fiction and unreliable narration. Warning: It makes “War With the Newts” read like a conventional potboiler.

‘The Absolute at Large’

Capek, in 1922, foresees a device that can produce unlimited cheap energy, with the small catch that it might just lead to a world-destroying global war.

‘The Cheat’

When he died in 1938, Capek was working on this bleak polyphonic novel about a half-crazed, compulsively plagiaristic composer.

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Re-hearing Graham Parker



You’ve either heard of Graham Parker, or you haven’t. Now is a good time to watch Don’t Ask Me Questions:The Unsung life of Graham Parker and the Rumour. It shows a musician known, but only famous to fanatics, who kept on writing songs, performing and being himself year in and year out.  As he reunites with the Rumour, the joy, the pleasure of his songs and and the way he and the band take over the room.  I saw them years ago, and live they filled your life for that time. It’s amazing to see video of them then.  Now it’s softer and more gentle, like Parker himself.  Music made to make music that changes as the world changes, but because it isn’t trying to take over the world, it can absorb what it comes across.Share This:


The Hacking of America – Jill Lepore –

Given all the empty positive talk that we are fed on a daily basis, and given all the lies and generalizations, it seems like the right time for a balanced history of the ups and downs of US history. Click on the image to read Lepore’s  article in the New York Times Sunday Review and here for the book review

From the article: “From the start machines have driven American democracy and just as often crippled it…the rules that prevail on the internet were devised by people who fundamentally don’t believe in government.”

From the book: “Between 1500 and 1800 roughly two and a half million europeans moved to the Americas; they carried 12 million Africans there by force; and as result 50 million Native Americans died , chiefly of disease.”Share This:


Scott Adams – Predicting Trump


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Alex Beam in the Boston Globe today, highlighted Scott Adams’ (the creator of Dilbert) prediction in in his blog August 2015 that the “Clown Genius,” as he calls him, would win a close election up against Hilary.

“On the surface . . . Trump appears to be a narcissistic blow-hard with inadequate credentials to lead a country.”

He added to the message in the Wall Street Journal this week:

“Humor is an extraordinary tool of persuasion,”

Adams compares Trump to Ronald Reagan, “a Master Persuader — someone who sees reality as malleable because to a large degree it really is.”

“Why does he say these things? He does it because he’s creating the future. The fact checkers are missing the entire show. The show is the president is describing the future by pretending it’s the present. It’s right out of the Norman Vincent Peale playbook.”’

Alex Beam writes, comparing Adams to Milton, but mistaking God for Satan: “His mission might be called ‘to justify the ways of Trump to men,’ and he’s good at it.”Share This:


All the Films of Studio Ghibli, Ranked


From the New York Times. Some of my favourite movies from an incredible studio.

“When the New York Times’s chief film critics ranked the best movies of the century so far, many readers were surprised by the work at No. 2: Hayao Miyazaki’s animated “Spirited Away.” The rest of us wondered why it wasn’t No. 1.” I am one of the rest of us.

https://www.nytimes.com/2017/10/12/movies/ranking-studio-ghibli-movies.htmlShare This: